Excerpt from The Diary of a Superfluous Man and Other Stories: A Novels and Stories of Ivan Turgenieff

"In, 'The Diary of a Superfluous Man,'" says one well-known Russian critic, "we have to deal with the end of the pathological process upon the body of Russian society. In Turgenieff's productions which followed it we have to deal with a crisis in Russian life, with the growth of a new order of things. Apart from the fundamental profundity of its tendency, the 'Diary' is extremely noteworthy for its artistic workmanship. In spite of a certain monotony of tone in its exposition, it produces a very strong impression by its abundance of poetical beauties, which are perfectly suited to the melancholy mood of the whole story... In creating his 'Superfluous Man' the author, evidently, aimed at making as powerful an impression as possible, and therefore employed the most brilliant pigments in depicting Tchulkaturin. He attained his object. Russian society started back in horror at this portrait of itself, which was somewhat distorted yet a good likeness, and in its strong excitement vigorously repelled all community with the sickly figure of Tchulkaturin.

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