Excerpt from Brigadier Frederick: And the Deans? Watch

Fashions change in literature, but certain things abide. There may be disputes from generation to generation, even from decade to decade, as to what is ?sthetic, or what is beautiful; there is less as to what is human. The work of the French writers, whose duality is quite lost in the long-time association of their names for the purposes of story making, seems at the least to make this claim to outlast its authors: it is delightfully saturated with humanity.

And this humanity is of the sort that, since it can be understood of all men, is therefore very widely acceptable. It is well to emphasize the point in an attempt to explain the popularity of Erckmann-Chatrian, immediate or remote. There are other reasons, to be sure: but this one is at the door, knocking to be heard.

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